Maya User’s Guide

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Download Free PDF. Aylish Wood. A short summary of this paper. Download Download PDF. Translate PDF. These include an interest in aesthetic innovation Purse, , changing studio organizations Tarantini, , and the out-sourcing of labour Yoon and Malecki, Remarking on anxieties specific to computer-generated animation, Mihaela Mihailova comments: Anxieties about the digital could be partially provoked by the relative impenetrability of contemporary animation processes.

To anyone who is not a software developer, animation software might as well run on arcane magic. And while it is possible to demonstrate and subsequently demystify the different creative tasks of cel animation because they are performed by humans, computer processes cannot be observed. Their inner workings can sometimes remain unfathomable and mysterious, even to those who have mastered their use Mihailova, For instance, Noah Wardrip-Fruin says that players gain an understanding of the operational logic of a game as they play.

Understandings of automation and computer animation software can be complicated by this insight, and is developed further through an exploration of the user interface UI of the 3D animation software Autodesk Maya.

Since users experience the automation of software via their interactions with the UI, it offers a ground for closely examining how the inputs generated through human users and automation counterpoint rather eclipse each other. Agency is meant in the sense of the capacity to carry out actions, one that is distributed between both human users of software and also the software itself.

Autodesk Maya, or Maya, has retained a pre- eminent position in the visual effects, games, television, and advertising industries since its release in Maya is explored through a methodology that combines an analysis of the visual organization of the UI alongside interviews with users of the software, in particular modellers and animators. Drawing on these different approaches, the argument put forward is that systematic building of models and movements and also creative uses of automation co-exist.

Released in to great acclaim, the software won an Oscar for Technical Achievement in , and was rapidly associated with films that won and were nominated for visual effects Oscars. Some 10 years later, it remains a key component of many studio pipelines, for instance in the making of Avatar , James Cameron , Epic Chris Wedge, , and the Despicable Me films Chris Renaud and Pierre Coffin, and One of the reasons for its wide adoption in the visual effects, animation, and advertising industries, and also in games and data visualizations, is that the software is open.

Many studios and users write scripts that automate repetitive tasks or add functionalities specific to the projects on which the studio are working. Over the years a number of these extensions have been incorporated into the core functionality of the software, enabling developers to keep innovating and Maya to retain its position amongst an increasing range of competitive software.

The longevity of Autodesk Maya and its continued pre-eminence makes it a good case study through which to ask questions about the experience of users of computer animation software. Animating a bouncing ball is a fundamental learning exercise. Having used the modelling tools to generate a ball, the user then works with the animation toolset to make it move. A timeline is set in numbers of frames per second.

Along this timeline the ball can drop from a height say 5 to 0, bouncing back to 3, beginning in position A, bouncing at B and ending at C. The heights and positions are in the X and Y-axes respectively. A very basic animation could have three key frames in positions A, B and C.

The software would generate the movements between those the key frames based on the calculation of the quickest route from A to B to C. To achieve a more nuanced and stylised movement, such as easing into and out of a bounce or the acceleration of falling and deceleration of rising, the user would work the tangents of the curve of motion, adding key frames at intermediate points between A or B or C to get the kind of movement they want to see.

If the ball needs to swerve through the depth of the Z-axes, the user would control that curve too. Working this pathway along the timeline is only one element of movement, as the ball would most likely not only move but also rotate in flight and deform on impact.

Figure 1 shows the animation curve of a ball that has been thrown over a wall into a yard, and has bounced back off the wall on the right of the image. The curve shows a range of accelerations and decelerations.

More complex animations can be seen as developments of this exercise. A simple complication is to animate 3 balls of different weights, say foam, rubber and wood, where the task is to animate in a way that demonstrates the different weights and timings of a bounce.

Extrapolate these options to a scene where a figure is animated interacting with an object. A figure is a complex rigged model. Each moving part of that figure has a characteristic movement, many of which may be active in a sequence generating a multiplicity of animation curves. Each curve has their own set of key frames on the timeline, each with different patterns of movement.

For instance, even in a scene with smaller scale movements, such as a conversation between the characters Ronin, M. In addition to the animation, Maya can be used to generate the environment of the action, such as a landscape or cityscape, inside or outside. To achieve a particular look, such as the animation style of Epic that combines a highly detailed texturing of the figures and their environment, shading is added to the surface of the wireframe models to create the minute details and textures of a scene, along with lighting and shadow.

To create imagery such as that seen Epic and other films, many different people would be involved in building the scene. From there, the books helps you:Learn the Maya user interface, including menus and plug-insBui Mastering Autodesk Maya Expand your skills with complete Maya masteryMastering Autodesk Maya is the ultimate guide to the popular 3D animation software.

Author Todd Palamar draws on his extensive professional animation experience to help readers take their Maya skills to the next level. Written for those who already know the basics of this enormous program, the book covers advanced topics and professional techniques for modeling, animation, texturing, and visual effects. Fully updated to reflect Maya’s latest features, the book takes a hands-on approach to instruction, providing readers with a diverse set of tutorials designed by real-world professionals to showcase 3D animation and visual techniques used in industry settings.

 
 

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Introducing autodesk maya 2013 pdf free. Behind the Scenes: A Study of Autodesk Maya

 

Contact Us. Upload eBook. Privacy Policy. New eBooks. Search Engine. A complete update to the popular Autodesk Official Training Guide for MayaMaya is the industry-leading 3D animation and effects software used in movies, visual effects, games, cartoons, and other animation. This bestselling, official guide is a must for 3D beginners who want a thorough grounding in this dynamic and complex software.

Fully updated for the newest version of Maya, the book explains the interface and the basics of modeling, texturing, animating, dynamics, visualization, and 213 effects.

Fun and challenging tutorials lead you through the nuances of introducing autodesk maya 2013 pdf free software and offer plenty of chances to practice what you’ve learned.

The Autodesk Official Training Guide for Maya, endorsed and promoted by Autodesk to its 2, Authorized Training Centers worldwide Maya is the 3D animation and effects software used in the film, game, and advertising industries; it’s a complex program and this book gives beginners the knowledge and confidence introducing autodesk maya 2013 pdf free need Shows how to master the interface and the basics of modeling, texturing, animating, and visual effects Step-by-step tutorials offer realistic, professional challenges for those new to 3D and those switching from another 3D application Materials are available for instructors who want to use this guide with their studentsIntroducing Introducing autodesk maya 2013 pdf free Maya is the perfect guide to get you up and running on the world’s most popular professional 3D application.

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